(Photo Nardus Engelbrecht)
This little lovely play has been a lifesaver for me on so many levels, and as we turn towards our final week of this run (it has flown by with joy and delight) I am beginning to reflect on some of the secondary enjoyments of being an actor person in a successful production.
Being ‘just an actor’ doesn’t come naturally to me. I am a bossy, over compensating publicity maniac, a used car salesman of the theatre, hell bent on begging, pleading, cajoling and sometimes even paying for an audience to come and see our work. But The Finkelsteins are Coming to Dinner has managed to get its own audience for us to enjoy. I haven’t had to nag anyone. When I default into thinking about who hasn’t come and who has said they would but haven’t I quickly change that old worn script, because, who cares?
I look out into the audience (I only allow myself to see actual faces during the curtain call) without knowing who is there, and it is a surprise and thrill to find out at the end that there were people in the audience who I know. I am able to receive the love and warmth of strangers and friends alike, and I am completely able to play utterly unselfconsciously on stage without thinking about who is there.
I can check up on our bookings and delight in how well they are doing without panicking about the few nights that are still not sold out. I can allow myself to not check up on bookings at all. I can walk into the space knowing that I will be generous and present and do my best (and hope it will be the best night ever, every time) and honour the work, without thinking about any single aspect of production, or admin, or technical, or publicity.
Yes, it helps that the Alexander Bar team have created the perfect venue for these perfect gems of shows. Yes, it helps that I share the stage with two, true superstar men, and let me name them again, Andrew Laubscher and David Viviers. Yes, there is a brilliant debut playwright Richard Kaplan whose play I was lucky to have been cast in. Yes, I can’t help but think of the future of this play and whether there is one, and then I have to stop myself; it’s not my job right now. Right now I live in the luxury of having a day off before our final week of eight shows, and I am going to love every single moment of them.