Megan's Head

A place where Megan gets off her head.

Category: Cape Town (Page 1 of 87)

FB break

It’s been almost 3 full days of not being on Facebum and I can already feel the difference. I am a social media addict for sure. The reality is unless I have a project to promote I get too involved in the sad, the political, the vegan, the incomprehensibly racist, and I was being very contentious and grumpy. I think Facebum breaks are necessary for a bit of perspective.

The result has been that I have been writing (a teeny bit) more, and being a little bit more in the actual real world. I have been exercising more, and for longer, I have been in the kitchen more, and healthier. Oh I am sure the old bad habits will creep in, but I am enjoying the one restriction I have placed on myself; my primary distraction, procrastination, opinion making place.

Some of the other things on my mind are, what next? Should I carry on with more shows of The Deep Red Sea? Should I write a screenplay? Where can I perform improv weekly to a paying audience. How can I become a theatre producer?

On Screen – Our Land

Yesterday I went to watch myself (albeit very briefly) in one of the AFDA 3rd year director’s final exam movie. The Labia was a hive of students dressed as celebs, friends, family, young and old, and casts and crew. It was properly exciting.

We saw two movies, with my appearance as an Afrikaans mother in Our Land, director and writer Casey Milledge’s tribute to father son relationships in our torn and divided country.

Although I had great fun and was very impressed by the passion and professionalism of the team on the day we shot, I struggled to visualise the film, and I admit here, I was anxious about how it was going to turn out. I shouldn’t have worried.

What Casey and his creative and technical team have managed to produce is a beautiful looking, hard hitting, stereotype avoiding and deeply personal political film. Shot largely in hand held close-ups and brilliantly edited, the pace, passion and heart of the movie is distilled and made powerful. The choice to make a black and white film, mimicking historical news film of apartheid, was deliberate but not obvious, and the touches of red slashes, so unsettling in the black, grey, white were shocking: A symbol of (bloody) transformation we were told in the Q&A afterwards.

Student films suffer incredible challenges. Performers have to be begged. Resources are terribly limited. Students are over stretched and are often involved in more than one project at the same time. None of that shows in this film. I was seriously, unreservedly proud.

A Friend in the Unlikeliest Place

Yesterday just happened to be one of those days that are so incongruous and strange they are a challenge to understand, let alone write down. But it was the kind of day that I believe will shift me and take me down an unexpected path of my journey.

Let me try. Big Friendly is out of town so my day started early, walking, feeding and watering the animals. My first appointment was in Wynberg, to meet with the CJSA (Cape Jewish Seniors Association) for an interesting chat/session. I met with a different branch in Milnerton in July and it had been a success and then I was asked to do the Wynberg one. I am not naive. I was asked because I said yes to the first one. Almost 30 ladies of a certain age (no men this time) were there to find out more about me, and resist playing improv games like I did the last time! I was as prepared as I always am. No idea about what I was going to do or say until I got there.

And then something amazing happened. In my introduction, and emboldened by the clarity Robin DiAngelo has given me about who I am and the enormous edge my White Privilege (not to mention the addition of Jewish Privilege) gives me, I said, by way of introducing myself, “My name is Megan Furniss. I used to be Megan Choritz (nods and sighs of recognition here). I am a writer, actor, director, improvisor. I am Jewish, anti religious, and very political. I want to state here, for the record and so you know, I am anti-Zionist and pro-Palestine.” Can you imagine? There was a massive communal gasp. One brave lady finally swallowed and said, “We don’t have to go there.” There was a shocked and relieved murmur of agreement.

A lot happened in that session. A lot.We jumped through my family and ancestry, flew through my career highlights, touched on Cape Town history, and family, and District Six and Woodstock. We joined dots, dived deep, and even ‘went there’ politically. There were many details, and many moments, and hard questions, and hilarious interludes. There were feelings hurt, and hearts won over. In the group was a shiny, funny, clever, vocal powerhouse of a woman with a lot to say. I haven’t asked her permission to use her name publicly so I won’t, but we got each other. She was excited by me and my points of view, and I was thrilled by her tenacity, and cleverness, and out-there-ness. She was my tribe. I left that time there shifted. As much as I had come to share my stuff with them I felt differently seen by a community that I have constant struggles with. I had to dash, with promises to return.

Then I flew over to the Golden Acre to take part in an hour long interactive improvisation performance called Film Me In as part of Infecting the City. Honestly, from the ridiculous to the incomprehensible. It’s been a while since I performed in the Golden Acre and I had forgotten what an awesome space it is. I was standing there, in the big open space we were performing in, trying to encourage people to participate, when I felt a tap on my head. My new friend from the CJSA meeting had taken a trip to town to see what I was up to! This woman had brought herself to the Golden Acre, a place I can guarantee her fellow community members hadn’t visited in years, to come an check us out. I love her.

My day ended with me falling asleep in front of the insane, hideous and demented impeachment hearings where Americans tore into each other and behaved like lunatics in support of chief batshit crazy, psycho, abuser Donald J. Trump.

Bog

I don’t know how creatives do it; admin, applications, grants, submissions. I can sit at my computer for non stop hours writing, imagining, creating, but the minute I have to pull up my broeks and do admin of any kind, especially the furthering of my ‘career’ kind, I seize up, zone out and develop a paralysis that is only broken by procrastinating and eating.

In fact, writing this blogpost is pretty much me not doing the stuff that urgently, deadlinishly needs to be done. As I write this a deadline is slipping away and it is possible I will not get my application in on time.

Chances are I am going to spend as long as I can on this post, and edit it, and think about it much more than it deserves, and then I will look at the time and it will be Pilates time, shit, I had no idea, and I will dash out of here, and grab things at the last moment, and then I will rush back and have two meetings etc, and I will not do the admin. The bog.

Reviewing my situation

Cue Fagan earworm for the rest of the day.

A particularly complicated space I have managed to carve out for myself is that of reviewer in the field in which I try to have a career (word used because there isn’t a proper one to describe the all over dabbleness of what it is I actually do). It is between a huge rock of irony and a hard place of communal despair (universal and timeless when it comes to theatre that isn’t in New York City and On Broadway) that I put myself. Because I write about other people’s theatre work to get people into the theatre. And I am honest (even though it comes at a terrible price) because I want people to be able to trust me, and get to know me by my likes and dislikes.

But it is a dance, and I suck at the choreography of innuendo, and politic, and getting comps, and being part of the system, and being outside of the system, and having to rely on the same when I put on my own work, and then seeing something that is brilliant that isn’t getting audiences, and then feeling like I can’t get my own work into the spaces because I am more valuable as an external voice, and then seeing something terrible and having my heart fill my mouth and make me wordless, and then straying from the pack and doing something different that nobody sees, and appreciating the effort and hating the result of something, or seeing through the hype, or believing my own hype, and around the mulberry bush I go, mostly at 430am in the morning.

So, I am going to say it here, and test it out on myself. It’s good to be writing from meganshead again.

Money

One hundred percent of my anxiety is about money. Probably, if I compare myself to other people, with jobs, I handle my anxiety better, because I haven’t submitted myself to an endless job, ever.

Still. That is what I worry about. And I don’t get it. I don’t get this world that needs us to do so much stuff for money to live. And I don’t get the inequality of it; I don’t get how a human body that does backbreaking manual labour, fetching things out of the ground, is less valuable money wise than the actions of the man who sends them down there. I don’t understand.

I drove past roadworks the day before yesterday and looked at the ragged team standing in a gash in the earth, splitting open the platinum real estate of Cape Town’s V&A Waterfront. These men, sweating in the sun, knew what they were doing in that gash. It involved a huge pipe and other cables and big machinery. There was a (lighter skinned) foreman watching them over his giant belly. He was the one who had a hardhat on. For his more valuable head. My radio was playing an advert for ‘affordable’ retirement homes that would never accommodate me, or these people.

I get hysterical when I hear about how really rich people do not want to pay more tax, and I cannot understand it, and then I get a traffic fine that is exactly how much I have earned while my car was parked illegally and nothing makes sense at all. Money, and how we perceive it, and how we use it, and how we are attached to it and how we bring it to our lives; sometimes in mythological and spiritual ways, doesn’t feel right. And truthfully, I don’t love that this is what it takes to be in the world, to measure our success, to rate our progress.

 

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