Megan's Head

A place where Megan gets off her head.

Tag: Jozi (Page 2 of 2)

True Life Drama

It is Saturday evening and Big Friendly and I, and my brother and sister-in-law are at their home in Jozi. It has been a crazy four days of family; a rolling function with close family who came here from Sydney to celebrate a barmy. We have eaten, talked, drank, socialised, met and re-met, chased children, hugged, squeezed, driven, sat and listened, been proud, loved family, shared things, laughed, reminisced, re-enacted scenes from the past and basically spread the love.

This afternoon a crazy game of football took place in an old, huge Jozi garden, between some of the adults and all of the kids, as the rest of us looked on and criticised and cheered. The sky started turning grey and the first rumbles of thunder began. The air was charged and we sat drinking pink gins, and I could see the movie shot.

And in a pure moment of art imitating life, I was a character in this beautiful, electrically lit people and family filled space in the world and it was magnificent.

 

In my city of ghosts

I love going to Jozi. I love that wet air feeling when landing after a summer thunderstorm. I love the huge, green trees that spread their dense branches over roads in the suburbs. I love the city skyline, and the feelings and flavours of the different areas. I love that Jozi is constantly and surprisingly evolving. Braamfontein, after years of being dodgy and weird, has returned to the vibrancy of how it was in my school days, when I would go to drama lessons at The Nunnery on the edge of Wits. I love being there and feeling the excitement of the shift. I love the soft rolling sounds of SeSotho that I never hear at home. I love my family and friends who all live in Jozi, and I love seeing them. I love working in Jozi, and meeting with the people who work there. I love that Jozi is black, in your face and getting on with it.

But because I relocated to Cape Town (this last time 19 years ago) Jozi is still my city of ghosts. Something happens to me there, something visceral and emotional and almost beyond my ability to articulate. It is the mix up of childhood and school, of family and loss, of bravado and insecurity, and of being on the fringe and not belonging completely. There is the tug of ‘what if I’d stayed?’. There is the nostalgia threaded sense of ‘where would I live now?’ and the slightly panicked ‘who would I be here?’ There is the excitement of knowing the old and learning the new.

I drive confidently in Jozi (with Garmap on my Crackberry) but I am nervous of Jozi drivers, where in Cape Town I would just be confident.

I see shadows in Jozi. Shadows of ended relationships. Of a dead parent. Of chances missed and unrealised dreams. Of places where I lived that no longer look anything like they did. I see a city that has moved beyond my ability to contextualise it, and yet it is so achingly familiar. That smell. Steaming tar after a storm. Different petrol smell. My sweat smells different. Those sounds. Thunder and hard drops on the windscreen. Loud crickets in drains. Loeries and Hadedas and black faced small grey birds shouting in the very early dawn. A traffic that is a constant low thrum. The suburban tick of electric fences.

Jozi might almost have forgotten me. My Jozi is a tightrope; of real present, past complicated and future unimagined.

When I drove on the highway to the airport this morning it was still dark. Jozi wakes up differently to Cape Town. It pulses awake while Cape Town staggers towards a later rising sun.

The faces at the airport are different. The hairstyles and the shoes. Then I feel a familiar tug. She is more hippy. He has plakkies and a hole in his T shirt. I hear the clicks of isi Xhosa. Some other people on this flight are going home, like me.

Landing at home I grow straight back into my actual self. I am totally me here. I am who I am. There is no potential me, no limbo me, no almost me. And I am entirely present and comfortable. But Jozi and all it stands for prickles my soul, and will always be part of me.

Thanks for the good times.

District 9 – Bravo Blomkamp!

Well, Big Friendly and I loved it. We finally got to see it this evening and I was very proud of this latest SA product.

District 9, directed by Neill Blomkap, is a relatively straight alien vs human sci-fi, only it is set in Jozi, so all the comparisons with apartheid are incredibly resonant, without being shoved down your throat. The recent xenophobia in SA is also felt strongly through the film, in the same way that there is always interspecies intolerance and lack of understanding.

Here, Jozi is the main attraction with the downtown shots and the depressing squatter camp all feeling very real. The performances are fab, especially Sharlto Copley as Wikus Van Der Merwe. (Of course I was delighted to see friends like Jonathan Taylor and Rob Hobbs in it too). The movie is brilliantly styled; the baddie Nigerian gang are especially outrageous, and the alien technology is great. 

The very funny first third (laugh out loud often), which is very mockumentary in style,gives way to a more serious sci-fi dilemma as we follow Wikus’s journey to self-awareness, and his shift in allegiance.  I love that the movie helps us connect with the prawns the way Wikkus does. It ends up being rather powerful stuff. And the Wikus/prawn flower was almost Wall-e-esque, it was so touching. It’s also very skop, skiet en donner.

Great story, great performances, great shots of Jozi, gritty local gangsters, hard core urban violence – both human to alien and human to human make me understand why it shot to the top of the charts in the US. It is cheeky, original, independent, and totally world class.

And, to borrow a certain prawn restaurant in Jozi’s nickname, well done Blomkop!

PS. And I have to say to all detractors; I think you’re being a leetle over sensitive.

Jozi artists rock

I did that ridiculous one day Jozi thing. I flew up at the crack yesterday and then came back today, so I could be at Jozi call backs for Noah. Jaci de Villiers (fab director) organised for some of her favourite Jozi talent to come and meet Graham Weir (the writer, composer and voice guru) Amanda Tiffin (musical director) and me. I want to tell you; a whole new ball game. These guys were prepared. They were professional. They were keen. They looked good. They were organised. Most of them were even early. I was blown away by the talent. I was charmed and warmed and excited. Slaap Stad, we’ve got a lot to learn. Agents here in Slaap Stad, you are going to have to up your game. This is an amazing opportunity to be in a brand new, original, local, accapella musical. How is it possible that people don’t pitch, come late, are unprepared, can’t make call backs, don’t want to be in long runs? Slaap Stad actors, you are going to have to catch a wake up or else everything will have to be cast in Jozi. And I think that that is a huge pity.

Freak Country

freak Big Friendly was invited to the opening of this show at The Baxter tonight! I was excited to go anywhere with air-con in this stinky heat, so off we went.

Freak Country is Paul Slabolepszy’s new play, directed by Charmaine Weir-Smith with Antony Coleman, Jerry Mofokeng and Peter Mashigo. I like seeing Jozi exports. It’s great for Slaap Stad to get a bigger slice of the theatre picture.

Big Friendly and I almost freaked out when we discovered that we were sitting in the front row of the main theatre; it really is up close and personal in that big venue. But, because the staging is set quite deep on the stage it was ok.

Freak Country is about this South African boytjie actor who gets stuck in Zim, on his way to a film shoot in the Comores, and his trouble with the authorities there. It’s a pretty grim scenario that is very funny on all sorts of levels. It is satirical, outrageous, clever, witty, farcical and ridiculous. it’s also chilling.

I must say, I really enjoyed the play. Paul Slab is the best guy for writing funny, snappy local dialogue and Anthony Coleman, who speaks triple more than the others, was brilliant at delivering it. In fact, Anthony was brilliant all round. His character was fab. Jerry and Peter give solid enough if a leetle uninspired performances (not their faults at all) that more could have been done with.

So, why did I chew my nails (when I wasn’t laughing)? Because it was a play that from the very first moment I was desperate to direct. I don’t know why, but every once in a blue moon that just happens. I was jealous that Charmaine had directed it and then I spent a lot of time thinking about how I would have done things differently. I don’t think she did a bad job; it just didn’t rock my world. So, I don’t think things were taken far enough. It was all too safe. It was all too glib. Even the action at the end didn’t kick.

I think it’s worth seeing. Even if it’s just for the actor in-jokes which are really, really funny. Just, beware the short run. It ends on the 28th of Feb Capetonians!

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